Between art and science: images and words in an open science experiment

Abstract

This article is a mesh of lines that modulate the opening of meeting points between art and science. They open an inbetween territory in which I propose experimenting, with words and images, possibilities to proliferate senses and sensations. For this I present four reports that are themselves bodies, living organisms that inhabit the diffuse frontier between art and science. The lines that delineate the problematized images in this writing and draw the words that make it a scientific publication are the same; therefore, these lines undermine a between knowledge fields where image-bodies and writingbodies transit, come to life and voice in the invention of problems (DELEUZE, 1999) and, at the same time, of solutions. An approach to the concept of an open science (PRIGOGINE; STENGERS, 1997), that allows itself to be affected by art when placing questions or, in other words, that allows knowledge crossings in knowledge production.